Job Number |
Title | Pages | Credits | |
---|---|---|---|---|
C-687 |
The Mark Of Death!
Notes: One of Romita's scratchy inking jobs, he talks about in Roy Thomas' and Jim
Amash's ...And All That Jazz! Some of Stan Lee's comments led Romita to this much more
involved way of inking, which the other artists hated because it would be so time-
consuming to imitate. So Romita dropped it soon after. A great anecdote, but there were
plenty of other artists working in such an overworked style (particulary Mort Lawrence) and
they never backed down. - Ger A.
|
6 pg art |
Paul S Newman script attributed John Romita pencils and inks signed
Contributors:
Ger Apeldoorn: Creator Credit Jim Vadeboncoeur Jr.: Creator Credit Doc V.: Creator Credit |
|
C-645 |
Murder Will Out!
|
5 pg art |
Sam Burlockoff pencils and inks signed
Contributors:
Ger Apeldoorn: Creator Credit Jim Vadeboncoeur Jr.: Creator Credit |
|
9387 |
The Ghost Of Nesterfield Hall
|
2 pg text | ||
C-653 |
Call For Luther Kane
|
4 pg art |
Myron Fass pencils and inks signed
Contributors:
Ger Apeldoorn: Creator Credit Jim Vadeboncoeur Jr.: Creator Credit |
|
C-706 |
Money Mad!
Notes: Maneely at his best - Ger a.
|
3 pg art |
Stan Lee script signed Joe Maneely pencils and inks signed
Contributors:
Ger Apeldoorn: Creator Credit Jim Vadeboncoeur Jr.: Creator Credit |
|
C-692 |
The Man Who Came Back To Life
|
5 pg art |
Paul Reinman pencils and inks signed
Contributors:
Ger Apeldoorn: Creator Credit Jim Vadeboncoeur Jr.: Creator Credit |